Leslie Garcia: media artist + tech lover + tinkering + developer + music addict + freak. this is my microserch around the web.

 

294 prepared dc-motors, cork balls, cardboard boxes 41x41x41cm, Volume’s centerpiece, is part of Zimoun’s current series of installations involving prepared dc-motors and cardboard boxes.

Created by Bartholomäus Traubeck, Years is a record player that translates wood’s year rings into sound. Using a ps eye camera, the grain on the slices of wood is read and converted into music. Includes modified turntable, computer, camera, acrylic glass, veneer, approx. 90x50x50 cm.

 

(Source: creativeapplications.net)

Soundmachines

The Product, a Berlin-based design studio with a focus on objects, space and interaction, was commissioned by Volkswagen to develop a set of visuals for an interactive musical performance for the premiere of the New Beetle at the 2011 IAA motor show (September 15-25, 2011, Frankfurt am Main). What the client got instead was Soundmachines – a custom-built instrument for performing electronic music by DJing visual patterns on record-sized discs. Honk for ingenuity!

(Source: creativeapplications.net)

Tetrafol.

The Tetrafol is a hand-held tangible electronic sound toy. Circuits enclosed by a wooden tetrahedron detect orientation and motion-gestures to modify the playback of a collection of Fol Chen’s micro-compositions, allowing the user to explore sound through physical manipulation.

(Source: folchen.com)

The Magnatron

The Magnatron is an instrument that allows a person to play magnetic tape by hand. The provided stylus is rubbed across the tape field to create a sound similar to that of scratching records but with it’s own unique character.

Ariel Guzik _ Mexico City, 1960


Musician, researcher, scientist, artist, iridologist, herbalist. Her work is driven by a nostalgia that seeks to recover the game and combine art with science. Based on this, their devices are governed by a methodology of interaction between the viewer and the environment involving various performative actions in each of his appearances and generating a continuous transformation of the work itself. He invented and built various musical instruments.


An installation for used cassette players which looks on their obsolescence not as an ending, but as an opportunity to reconsider their functional potential. Superseded as playback devices, they become instruments in their own right. Replacing the prerecorded content of each tape with a microphone gives us the chance to listen instead to the rhythmic and resonant properties of these once ubiquitous plastic shells. Binatone Galaxy brings the framework within which a generation purchased their favourite records to the centre of attention, revealing the acoustics of the cassette and the voices of the machines themselves.

http://www.scrawn.co.uk/current.html

Voice Lessons (2011) by John Keston is an electronic, audio device that interrogates the popular myth that every musical instrument imitates the human voice. Touching the screen allows the participant to manipulate the visuals and vocalizations of the “voice teacher” as he recites vocal warm up exercises.

subcycle labs is the creative work of christian bannister a musician, designer and developer located in portland, oregon.

http://www.bannister-design.com/blog/